- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Browse Recent Book Reviews
The Art of Remembering: Essays on African American Art and History is a collection of essays written by Gwendolyn DuBois Shaw that address African American artists working in the United States from the end of the eighteenth century to today. Many of the essays are revised and expanded from previously published works and taken together demonstrate both the breadth and focus of Shaw’s scholarly and curatorial work over a twenty-year period: to challenge the discipline of art history for its exclusions, to grapple with the imperatives of history and representation in Black aesthetic practices, and to call for critical engagement…
Full Review
November 7, 2024
In their heyday in the second half of the twentieth century, museum catalogs of permanent collections of art from the ancient Americas fulfilled an indispensable role recording the appearances, whereabouts, and growing knowledge of objects in a then-nascent field. At the same time, they frequently aspired to portray a newly amassed collection as “encyclopedic” and posit its significance. Such catalogs—for example, Lee Parson’s Pre-Columbian Art: The Morton D. May and The Saint Louis Art Museum Collections, published in 1980—regularly commemorated major acquisitions from private collections and, as things of beauty themselves, were typically gifted to potential donors to solicit future…
Full Review
November 4, 2024
Hidden in Plain Sight: Concealing Enslavement in American Visual Culture joins two trends broadening art history’s scope: exposing racial ideologies and analyzing popular art. While others have focused on antislavery imagery, Stephens opens new pathways by illuminating art that supported slavery in the United States, gaining access to unseen works, and researching manuscripts to understand the artists and their clients. For art historians, the book offers greater context for interpreting Southern art; for historians of slavery, it offers visual analysis often missing from studies of political culture. It provides a lay of the land and establishes key waypoints. At the…
Full Review
October 30, 2024
This volume, L’iconographie du Bestiaire divin de Guillaume le clerc de Normandie, by Rémy Cordonnier provides an excellent introduction to the Divine Bestiary (Bestiaire divin, ca. 1210–11)) by Guillaume le clerc of Normandy, through the presentation of the complex textual tradition and an introduction of what is known of the author and the context. In his text, Guillaume explains that he translated Latin prose into French verse. Though originally from Normandy, Guillaume lived in England and was married with children. Working for patrons in the West Midlands, he wrote poetry, moral allegories, and exempla. The Bestiaire divin …
Full Review
October 28, 2024
For anyone concerned with the Middle Ages (and beyond), Jerusalem represents a challenge and an almost inexhaustible source of inspiration. For centuries, the holy city has presented itself to the observer as a liminal space in which the symbolic, legendary, allegorical, and metaphorical dimensions are inextricably superimposed on perceptible reality and tend to overshadow it, to such an extent that any distinction proves useless and even senseless. If there is one constant in the history of Jerusalem, it is its ability to bewilder, puzzle, and thrill its observers, whether they be devout pilgrims of the times past or scholars trying…
Full Review
October 25, 2024
Death’s Futurity: The Visual Life of Black Power highlights visual culture as a tool of anticapitalist and antiracist revolutionary struggle, and is a key methodological guide for those interested in the idea of art history after Black studies. Analyzing the lens-based and print media authored by the Black Panther Party (BPP) that embodied a Black radical aesthetic in the years 1969–1971, Sampada Aranke makes a forceful and convincing argument about how and why “the visual life of Black Power is activated through Black radical death” (4). The book explores a historic condition that has become more acute in…
Full Review
October 23, 2024
Matthew Rarey’s Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic is the latest addition to scholarship on the knowledge produced by African individuals as they skillfully navigated the violent whims of enslavement and racial capitalism. Spanning the fourteenth to the early nineteenth centuries, Insignificant Things tracks an evolving, transatlantic discourse around bolsa de mandinga (translated literally as “mandinga pouch”): amulets with diverse materials contained within a fabric or leather pouch that were used for luck, love, and protection from personal violence. Across the Lusophone Atlantic, bolsas were employed ritualistically by many early modern subjects, but…
Full Review
October 21, 2024
To visit Mexico City’s Plaza de la Constitución (better known as the Zócalo) today is to be immersed in an urban palimpsest spanning seven centuries. The north and east sides of this central plaza are occupied by the National Palace and Cathedral, from which the nation’s political and religious life has been administered since the Viceregal period. In the space between them, dancers and drummers wearing feathered headdresses and seed rattle anklets perform in front of the archaeological site and museum dedicated to the Mexica, or Aztec, Templo Mayor: the most significant ceremonial structure of Tenochtitlan, capital of the Aztec…
Full Review
October 18, 2024
The book of hours, a type of devotional book that usually contains a collection of prayers, psalms, hymns, and other readings to be recited at specific hours of the day, is one of the most well-preserved artistic products from the late Middle Ages. These books have received extensive scholarly attention as complex cultural products that were often richly illuminated. The Book of Hours and the Body: Somaesthetics, Posthumanism, and the Uncanny is focused on illuminations in several books of hours that could have helped their users reflect on issues of embodiment, gender, being human, and the divine. The methodological framework…
Full Review
October 9, 2024
Myrlande Constant: The Work of Radiance, an exhibition volume published for the eponymous show that ran at the Fowler Museum at UCLA in 2023, stands as a major contribution to the contemporary scholarship on the work of Haitian artists. Other examples over the past several decades published in conjunction with museum and gallery exhibitions include Pòtoprens: The Urban Artists of Port-au-Prince (2022), Haïti: deux siècles de création artistique (2014), Kafou: Haiti, Art and Vodou (2012), In Extremis: Death and Life in 21st Century Haiti (2012), and the disciplinary cornerstone of this era of scholarship, Sacred Arts of Haitian Vodou (1995)…
Full Review
October 7, 2024
Load More