- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Drawings/Prints/Work on Paper/Artistc Practice
Dissertations in Progress by Subject, 2022
Ahn, Jaeun Cabelle, "Multiple Exposures: Drawings, Displays, and their Spaces in Eighteenth-century France" (Harvard University, E. Lajer-Burcharth)
Henry, Joseph, "Spiritualized Machines: Die Brücke, Expressionism, and Wilhelmine
Modernity" (Graduate Center of the City University of New York (CUNY), R. Golan)
Janney, Elena, "The Drake Manuscript: Offshore Views of the Sixteenth-Century Caribbean" (Harvard University, J. Koerner, T. Cummins)
Khalil, Duaa, "Unscripted: The Transformation of Modern and Contemporary Arabic Printmaking" (State University of New York, Binghamton, T. McDonough)
Lund, Sarah, "Matrices: Female Printmakers in Revolutionary France, 1789–1848" (Harvard University, E. Lajer-Burcharth, J. Roberts)
Margulis, Noah, "The Proof State of Art: Printmaking and the Graphic Arts in Rome, 1520–1550" (New York University, Institute of Fine Arts, A. Nagel)
Minden, Ariella, "In Dialogue: Medial Thinking in Bolognese Printmaking, 1500–1530" (University of Toronto, E. Levy)
Montanes-Lleras, Susana, "The Sleeping Princess and the Creeping Briar: Book Illustration, Pictorial Language, and the Rhetoric of Fantasy" (Case Western Reserve University, A. Rager, H. Adams)
Puzyreva, Maria, "Inventing the Modern Japanese Print: Sōsaku Hanga Movement, 1900s–1960s" (University of Pennsylvania, J. Davis)
Wiepke, Hannah, " 'For pictures are the most intelligible books': Crafting Knowledge in Early Modern Printed Images and Books, 1500–1700" (University of Minnesota–Twin Cities, M. Gaudio)
Yale, Margot, "From Red Feminism to the Blacklist: Labor Schools and the Work of Art, 1935–1957" (University of Southern California, S. Hudson)