- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
North America
Dissertations Completed by Subject, 2022
Show in progress dissertations
Cooper, Ashton, " 'How hard to give form to oneself honestly' ”: Liberation Politics and the Remaking of Painterly Expression in 1970s New York" (University of Southern California, S. Hudson, A. Jones)
Emmer, Regina, "Living Between the Lines: How Japanese Crafts Taught Frank Lloyd Wright, Adolf Loos, and Eileen Gray to See Modern Domestic Space" (University of New Mexico, C. Mead, S. Anderson-Riedel)
Kahng, Hannah, "This Film Which Is Not One: Intersections of Expanded Cinema and Feminism, 1970-1979" (University of California, Los Angeles, G. Baker)
Kang, Stephanie, "Queering the Future: Hopeful Imagination in Dystopian Times" (Ohio State University, K. Paulsen)
Murokh, Dina, "A Sort of Picture Gallery": Encounters with Print in Antebellum U.S. Society" (University of Southern California, J. Greenhill, V. Schwartz)
Postlewait, Mariah, "Richard Avedon’s “In The American West” Revisited" (State University of New York, Binghamton, J. Tagg)
Radlo-Dzur, Alanna, "Mixtitlan Ayauhtitlan (in the Clouds, in the Mist): The Invisible in Early Modern Nahua Art" (Ohio State University, B. Hamann)
Rawlings, Courtney, "The Architecture of Red Los Angeles: Building Low-Cost Housing Communities for a Postwar Future, 1940-1960" (Emory University, T. Cronan)
Thomas, David William, "Turn on, Tune in, Don’t Drop out: Pulsa’s Computer-Based Ecology"(State University of New York, Binghamton, K. Hatch)
Turner, Madeline, "What Women Write: Artist's Books, Postal Objects, and Independent Theater in Mexico City (1979-92)" (New York University, Institute of Fine Arts, E. Sullivan)
Varela, María Paula, " 'My Goddesses and My Monsters:' Maria Martins’ Paradoxical Modernism" (University of Florida, K.M. Cabañas, R. Silveri)