Latin American/Caribbean Art
Dissertations Completed by Subject, 2005

Show in progress dissertations

Brooks-Shirey, Heather, “Empowering Spaces: Candomble Art in Sacred and Secular Contexts in Salvador da Bahia, Brazil” (Indiana, P. McNaughton

Connors Mcquade, Margaret, “Loza Poblana: The Emergence of a Mexican Ceramic Tradition” (CUNY, E. Quiñones Keber)

Fernandez, Carmen, “Images and Memory: The Construction of Collective Identities in Seventeenth-Century Quito” (Chicago, T. Cummins, L. Voigt, L. Seidel)

Fraunhar, Alison, “Re-visioning the Mulata in Cuban Visual Culture, 1880–2000” (UC Santa Barbara, S. Chattopadhay)

Hernandez, Ray, “Reframing Viceregal Painting in Nineteenth-Century Mexico: Politics, the Academy of San Carlos, and Colonial Art History” (Chicago, T. Cummins, S. Widdifield, M. Ward)

Herren, Angela, “Portraying the Mexican Past: A Comparison of Sixteenth-Century Pictorial Accounts of Origin in Codex Azcatitlan, Codex Boturini, and Codex Aubin” (CUNY, E. Quiñones Keber)

Hurt, Lee Anne, “The Huacas of Machu Pichu: Inca Stations for the Communion between Humanity and Nature” (Virginia Commonwealth, J. Farmer)

Leimer, Ann Marie, “Performing the Sacred: The Concept of Journey in Codex Delilah” (UT Austin, A. Malagamba)

Ramirez, Yasmin, “Nuyorican Vanguards, Political Actions, Poetic Visions: A History of Puerto Rican Artists in New York, 1964–1984” (CUNY, K. Manthorne)

Sanabrais, Sofia, “The Biombo or Folding Screen: Examining the Impact of Japan on Artistic Production and the Globalization of Taste in Seventeenth-Century New Spain” (IFA/NYU, J. Brown)

Wolfe, Edith Angelica Gibson, “Melancholy Encounter: Lasar Segall and Brazilian Modernism, 1927–1933” (UT Austin, J. Barnitz)