- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Film/Video
Dissertations in Progress by Subject, 2005
Adler, Fabienne D., “Eizo: Theory and Practice of the ‘Camera-Based' Image in Japan, 1960–1975” (Stanford, S. Bukatman)
Blackburn, Marcia, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, T. McDonough)
Bouman, Margot, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)
Chung, Francis, “The Grammar of Pedagogy: Teaching and Learning in Art and Cinema, 1965–1980” (UC Berkeley, W. Davis)
Czach, Liz, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)
Humphrey, Dan, “Subjective Others/Foreign Selves: Queer American Spectatorship and Swedish ‘Art’ Cinema” (Rochester, D. Crimp)
Li-Lin Rseng, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–1937” (UIUC, J. Fineberg)
Luke, Megan, “Kurt Schwitters' Stolen Goods: Collage, Poetry, and Commerce” (Harvard, Y-A. Bois, B. Buchloh)
Muller, Gabriela, “Abstraction on the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)
Proctor, Jacob, “Collage and Found Footage in Postwar Experimental Film: Bruce Conner, Stan Vanderbeek, Ken Jacobs, Robert Breer” (Harvard, Y-A. Bois, B. Buchloh)
Pytlinski, Deanne, “Utopian Visions: Women in Early Video Art” (CUNY, A. Chave)
Shaffer, Michael, “Artists' Videos of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)