- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Drawings/Prints/Work on Paper/Artistc Practice
Dissertations Completed by Subject, 2019
Show in progress dissertations
Anderson, Emily R., "The Bespoke Book: Experimental Printing in Early Modern Italy" (University of Southern California, D. Bleichmar)
Dunn, Ashley, “Urban Etching: The Printmaking of Modern Paris, 1850-80” (Northwestern University, S. Clayson)
Johnson, Lauren A., "'True Americanism': Images of Race and Citizenship in Ansel Adams's Photobooks, 1940–1960" (UIUC, T. Weissman)
Lett, Telesia Amanda. "Valuable Paper and Counterfeit Presentments: Alfred Jones, the American Art-Union, and Antebellum Bank Note Engraving." (Boston University, P. Hills)
Mickevicius, Emilia, "New Topographics and the Reinvention of American Landscape Photography, 1975” (Brown University, D. Nickel)
Turpijn, Saskia, “The Nineteenth-Century British Printmaker” (Virginia Commonwealth University, E. Garberson)
Wehn, James, “Inventing the Market: Authenticity, Replication, and the Prints of Israhel van Meckenem” (Case Western Reserve University, C. Scallen)