- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
African Art (sub-Saharan)
Dissertations in Progress by Subject, 2003
Anderson, Sean S., “In-Visible Colonies: Modern Architecture and Its Representation in Colonial Eritrea from 1890 to 1941” (UCLA, S. Nelson)
Bortolot, Alexander, “Negotiating Masculinity: Male Initiation and Associated Arts of the Makonde Peoples” (Columbia, N. Kampen)
Ciola, Ann M., “Identity and Community Solidarity: Counter-Spectacle, Power, and Resistance in the Mass Funeral of the ‘Guguleteu Seven,’ March 15, 1986” (SUNY Binghamton, K. Barzman)
Kart, Susan, “The Quest for the Body African in the Sculpture of Sokari Douglas Camp, Moustapha Dimé and Renée Stout” (Columbia, C. Kiaer, E. Hutchinson)
Martinez-Ruiz, Barbaro, “Kongo Machinery: Graphic Writing and Other Narratives of the Sign” (Yale, R. Thompson)
Onyile, Onyile Bassey, “Ekpu Oro: The Spirit of the Living Dead as an Expression of Oron Worldview, 1894–1940” (SUNY Binghamton, N. Nzegwu)
Ross, Emma, “Aesthetic Experience and Expression: Representation of Dan Women in the Côte d’Ivoire” (Yale, R. Thompson)
Slogar, Christopher, “Iconography and Continuity in West Africa: Calabar Terracottas and the Arts of the Cross River Region of Nigeria” (Maryland, E. Eyo)
Van Dyke, Kristina, “To See and Be Seen in Mali: A New Look at the Visible in Africa” (Harvard, S. P. Blier)