- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Fifteenth- to Seventeenth-Century Art
Dissertations Completed by Subject, 2018
Show in progress dissertations
Benjamin, Aliza M., “Gold, Stonework and Feathers: Mexica Material Culture and the Making of Hapsburg Europe” (Temple University, A. West; T. Cooper)
Dwyer, Elizabeth Ann, “Portraits and Visions in Renaissance Veneto: Titian, Moroni, Veronese” (University of Virginia, F. Fiorani)
Fraiman, Jeffrey, “Site Specificity, Christian Archaeology, and Naturalism in Roman Altarpieces, ca. 1600-1630” (Rutgers University, C. Puglisi)
Kaplan, Stephanie, “Artificial Appearances: Portraiture and Persona in Mid-Sixteenth Century Florence” (Washington University in St. Louis, W. Wallace)
Kirchhoff, Chassica, “The Thun-Hohenstein Album: Constructing the Armored Body in the Holy Roman Empire” (University of Kansas, A. Hedeman/ S. Goddard)
Landry, Khristin, “The Sacred Landscape of Mayapan, A Postclassic Maya Center” (University of Illinois at Chicago, V. Miller)
Petersen, Elizabeth, “Architecture and Audience in Donatello’s Florentine Reliefs” (Penn State, R. Thomas)
Platts, Christopher “Paolo Veneziano and the Patronage and Reception of Venetian Gothic Painting” (Yale, R. Nelson)
Sandoval, Elizabeth, “A Material Sign of Self: The Book as Metaphor and Representation in Fifteenth-Century Northern European Art” (Ohio State University, K. Whittington)
Tillery, Laura, “The Hanse as Artistic Network in Late Medieval Lübeck” (University of Pennsylvania, L. Silver)
Whitford, Kelly, “Angelic Devotion: Embodying Belief with Bernini’s Angels on the Ponte Sant’Angelo” (Brown University, E. Lincoln)