- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Eleventh to Fourteenth Century
Dissertations Completed by Subject, 2018
Show in progress dissertations
Adams, Eston, “The History and Significance of the Navicella Mosaic at St. Peter's, Rome” (University of Louisville, C. Fulton)
Binning, Ravinder, “The Medieval Art of Fear: Christ Pantokrator after Iconoclasm” (Stanford University, B. Pentcheva)
Cook, Lindsay, “Architectural Citation of Notre-Dame of Paris in the Land of the Paris Cathedral Chapter” (Columbia University, S. Murray)
Landry, Khristin, “The Sacred Landscape of Mayapan, A Postclassic Maya Center” (University of Illinois at Chicago, V. Miller)
Smith, Rebecca A., “Measuring the Past: The Geometry of Reims Cathedral” (University of Iowa, R. Bork)
Partridge, Joy, “Visualizing Knowledge in the Illuminated Manuscripts of the Breviari d'amor” (Graduate Center, CUNY, C. Hahn)
Platts, Christopher, “Paolo Veneziano and the Patronage and Reception of Venetian Gothic Painting” (Yale, R. Nelson)
Rodriguez, James A, “Images for Personal Devotion in an Age of Liturgical Synthesis: Bilateral Icons in Byzantium, ca. 1100-1453” (Yale University, R. Nelson)
Woodward, Elizabeth, “Le Roman de la Poire: Constructing Courtliness and Courtly Art in Gothic France” (University of Chicago, A. Kumler)