- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
Dissertations in Progress by Subject, 2017
An, Jamin, “Tracing the Emergence of Contemporary Curatorial Practice, 1960s-1970s” (UCLA, M. Kwon)
Belford, Liora, “(Musical) Composition for Museum: The Curator as Composer /The Composer as Curator” (University of Toronto, E. Legge)
Cooley, Jessica A., “Crip Materiality: Disability, Plasticity, and the Art Institution after the Americans with Disabilities Act” (University of Wisconsin-Madison, J. Casid)
de Laforcade, Sonia,”Áudio-Visual: the Slide as Medium in Brazilian Art of the 1970s” (Princeton, I. Small)
Ferguson, Brinker, “Recalibrating the Museum: The Politics of Stewardship and the Physical/Digital Repatriation of Te Hau-Ki-Turanga” (University of California Santa Cruz, S. Murray)
Graff, Julie, « Nouveaux réseaux de transmission culturelle chez les Inuit du Nunavik » (Université de Montréal, L. Vigneault)
Hobart, Aubrey, “Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020” (University of California, Santa Cruz, C. Dean)
Uner, Pinar, “An Analysis of Global Curatorial Methods: The Emergence and Crystallization of Istanbul Biennials” (University of Illinois at Chicago, E. Akcan and O. Harmanşah)
Kleinman, Sarah, “A Wider Turn: The Curatorial Practice and Exhibitions of Kynaston McShine” (Virginia Commonwealth University, M. Lindauer)
Musteata, Natalie, “From Radicality to Romanticism: The Institutionalization of the Artist as Curator, 1970-2010” (Graduate Center, CUNY, C. Bishop)
Park, Young-Sin, “The Chosŏn Industrial Exposition of 1915” (Binghamton University, J. Tagg)
Prater, Erika, “Through the Woods: Fairy Tales, Documenta, and Kassel’s Cultural Export” (University of Minnesota, J. Blocker).
Reilly, M. Alison “Redirecting the Modern Museum: James Johnson Sweeney’s Exhibition Practices in Mid-Century America” (Florida State University, A. Jolles)
Stritzler, Nina, “Architecture at MoMA, 1929-1949: Defining a Curatorial Practice” (Graduate Center, CUNY, R. Bletter)
Vazquez, Julia, “The Artist as Curator: Diego Velázquez, 1623-1660,” (Columbia University, D. Bodart, M. Cole)
Zhang, Xinyi. “The Orientalist Museum in Doha” (George Mason University, P. Smith)