- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Conceptual Art
Dissertations in Progress by Subject, 2016
Campbell, Thomas, “Real to Reel: The Cassette Publication as Networked Space” (Columbia, B. Joseph)
Canac, Sandrine, “From Measured Volume to Indefinite Expansion: The Early Work of Robert Barry (1963–1975)” (Stony Brook University, A. Uroskie)
de Laforcade, Sonia, “Áudio-Visual: The Slide as Medium in Brazilian Art of the 1970s”
(Princeton, Irene Small)
DiBenedetto, Erica, “Drawing from Architecture: The Conceptual Methods of Sol LeWitt’s Art, 1965–1980” (Princeton, B. Doherty; H. Foster)
Hebble, John, “Conceptual Art Photography: An Investigation of Medium and Discourse in Selected Works by Mel Bochner, Dan Graham, Adrian Piper, and Bruce Nauman” (Virginia Commonwealth, B. Lawal)
Iglesias Lukin, Aimé, “This Must Be the Place: Latin American Artists in New York, 1965–1975” (Rutgers, T. Flores)
Jackson, Katherine, “Total Economy: The Artist Placement Group in 1970s UK” (University of British Columbia, J. Mansoor)
Olivas, Yvonne, “System Withdrawal: Lee Lozano’s General Strike” (Stony Brook University, Z. Patterson)
Scott, Hallie, “Communicationists and Un-Artists: Pedagogical Experiments in California, 1966–1974” (CUNY, C. Bishop)
Varet, Esther Kim, “Art INC: A Reassessment of the Art and Technology Program at the Los Angeles County Museum of Art” (Columbia, A. Alberro)
Zaikina, Olga, “Spatializing Consciousness: Participatory Art, Objects, and Poetry of Andrey Monastyrsky in the 1970s–80s” (Penn State, S. Rich)