Performance Art/Performance Studies/Public Practice
Dissertations in Progress by Subject, 2016

Show completed dissertations

Aldridge, Kelly Rae, “Crumbs from the Revolutionary Table” (Stony Brook University, Z. Patterson)

Andersen, Tawny, “Performativity as Critical Praxis” (McGill, A. Jones)

Bullock, River, “Listening to Contemporary Art: Vocality as a Technology of Relation” (Wisconsin, Madison, J. Casid)

Damman, Catherine, “Unreliable Narrators: Laurie Anderson, Julia Heyward, and Jill Kroesen Perform the 1970s” (Columbia, B. Joseph)

de Laforcade, Sonia,“Áudio-Visual: The Slide as Medium in Brazilian Art of the 1970s” (Princeton, I. Small)

Dees, Janet, “The Evidence of Things Not Seen: Performance Art as Art History” (Delaware, A. Gibson)

Farzin, Media, “Theater, Artifice, and Opacity: Guy de Cointet and 1970s Performance” (CUNY, S. Wilson)

Folkman, Marjorie, “Dance’s Imprint: Choreography of the Visual Avant-Garders” (Bard Graduate Center, P. Stirton)

Goldstein, Jennifer, “Moving Bodies, Moving Things: Convergences of Art and Dance, 1960–1975” (Stony Brook University, A. Uroskie)

Grayson, Saisha, “Cellist, Catalyst, Collaborator: The Work of Charlotte Moorman, 1963–1980” (CUNY, C. Bishop)

Gyorody, Andrea D., “Joseph Beuys Reconsidered: Sculpture, Performance, and Politics, 1964–86” (UCLA, G. Baker)

Harnett, Gerald, “Recorded Objects and Counterauras: An Art History of Time-Based Technical Reproducibility, 1954–1964” (Stony Brook University, A. Uroskie)

Leonardo, Emily, “Interventions into the Geographic: Collective Practice and Performance in le Midi, 1962–71” (Stony Brook University, D. Mather)

Lieberman, Shannon, “Alongside, Outside, Within, Against: Feminist Art and the American Museum, 1965–2007” (UC Santa Barbara, L. Monahan)

Lyons, Samantha, “Synaesthetic Dress: Episodes of Sensational Objects in Performance Art, 1955–1975” (Kansas, D. Cateforis)

Mowder, Meredith, “Art after Dark: Performance in Downtown New York, 1978–1988” (CUNY, C. Bishop)

Olivas, Yvonne, “System Withdrawal: Lee Lozano’s General Strike” (Stony Brook University, Z. Patterson)

Schopp, Caroline Lillian, “Body Analyses/Poetic Acts: Ambivalences of Austrian Performance Art after 1945” (Chicago, C. Mehring)

Sneed, Gillian, “Gendered Subjectivity and Resistance: Brazilian Women's Performance-for-Camera, 1974–1985” (CUNY, A. Indych-López)

Stutterheim, Sydney, “Accomplices in Art: 1971–1987” (CUNY, D. Joselit)

Teti, Matthew, “Chris Burden, 1967–1971” (Columbia, B. Joseph)

Young, Gillian, “Joan Jonas’ Tele Vision, 1968–1984” (Columbia, B. Joseph)