- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Conceptual Art
Dissertations in Progress by Subject, 2017
Campbell, Thomas, “Real to Reel: The Cassette Publication as Networked Space,” (Columbia University, B. Joseph)
de Laforcade, Sonia,”Áudio-Visual: the Slide as Medium in Brazilian Art of the 1970s” (Princeton, Irene Small)
Detchon, Julia, “Working Around: Lea Lublin, Marie Orensanz, Mirtha Dermisache, and Margarita Paksa, 1968–1983” (University of Texas at Austin, G. Flaherty)
DiBenedetto, Erica, “Drawing from Architecture: The Conceptual Methods of Sol LeWitt's Art, 1965–1980” (Princeton, B. Doherty and H. Foster)
Iglesias Lukin, Aimé “This Must Be the Place: Latin American Artists in New York, 1965-1975” (Rutgers University, T. Flores)
Hebble, John, “Conceptual Art Photography: An Investigation of Medium and Discourse in Selected Works by Mel Bochner, Dan Graham, Adrian Piper, and Bruce Nauman” (Virginia Commonwealth University, B. Lawal)
Jackson, Katherine, “Total Economy: The Artist Placement Group in 1970s U.K.” (The University of British Columbia, J. Mansoor)
Schwaller, William, “A Transnational Arte de Sistemas: The Centro de Arte y Comunicación in Argentina and Abroad, 1968-1983” (Temple University, M. Alvarez)
Zaikina-Kondur, Olga, “Spatializing Consciousness: Participatory Art, Objects, and Poetry of Andrey Monastyrsky in the 1970s–80s” (Penn State, S. Rich)