- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Art of the Ancient Americas
Dissertations in Progress by Subject, 2017
Burian, Shelley, “Aymara Ceremonial Garments and Colonial Bolivian Society (Upper Peru) 1550-1780 CE” (Emory University, R. Stone)
Caplan, Allison, “Their Flickering Creations: Value, Appearance, and Surface in Nahua Precious Art” (Tulane University, E. Boone)
Driggers, Kristopher, “The History of Idolatry and the Codex Durán Paintings” (University of Chicago, C. Brittenham)
Gassaway, William, “Extraordinary Bodies: The Art of Deformation in Postclassic Mexico” (Columbia University, E. Pasztory)
Lagarde, Patricia, “Facing Pilgrimage: Tenon Head Sculptures at the Ceremonial Center of Chavín de Huántar, Peru” (Tulane University, E. Boone)
McKenzie, Andrea, “Indigenous Concepts, Scripted Pictures: Andean Forms in the Drawings of Guaman Poma de Ayala's Nueva corónica y buen gobierno (1615/1616)” (Emory University, R. Stone, W. Melion)
O'Keefe, Julia, “Active Enclosures: Aztec Containers and the Design of Ritual Exchange” (Tulane University, E. Boone)
Popovici, Catherine, “Stones of Statehood: Art, Politics, and Placemaking in the Classic Maya Landscape” (University of Texas at Austin, J. Guernsey; D. Stuart)
Strauss, Stephanie, “Rethinking Epi-Olmec: The Art and Epigraphy of the Late Preclassic Isthmus of Tehuantepec” (University of Texas at Austin, J. Guernsey)
Terry, James, “Signifying Architecture: Maya Architecture of Chicanna and the Central Yucatan” (Yale University, M. Miller)
Vazquez de Arthur, Andrea, “Portraits, Pots, or Power Objects? On the Imagery and Ontology of Wari Faceneck Vessels” (Columbia University, E. Pasztory)