- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Africa
Dissertations in Progress by Subject, 2018
Bell-Brown, Jessica, “Bad Attachments: The Unmoored Painterly Object in the Post Civil Rights Decade” (Princeton, C. Okeke-Agulu)
Cobb, Dariel, “Building Négritude: Francophonie, Tropicalité, and Invented Tradition” (MIT, A. Dutta)
Cooney, Lynne, “The Transparent Glass Cabinet: The Politics of Display in Exhibitions in Johannesburg After Apartheid” (Boston University, C. Becker)
Fine, Jonathan, “Mandu Yenu Thrones: Tradition, Aesthetics, and Politics in the Bamum Kingdom, 1885-2008” (Princeton, C. Okeke-Agulu)
Forbes, Carlee S. “Art, Innovation, and Collecting in Colonia-Era Congo” (University of North Carolina at Chapel Hill, V. Rovine)
Gundlach, Cory K. “Spirited Objects: Lobi Art in West Africa and Beyond” (University of Iowa, C. Roy)
Heckscher, Marguerite, “Dancing People: Figurative Imagery, Movement, and Object/Body Interplays in Shambaa Mphungwa in Northeastern Tanzania” (University of Wisconsin-Madison, H. Drewal)
Kindred, Clayton, “An Archaeology of Castration: The Image of the Eunuch in Nineteenth-Century Art” (Ohio State University, A. Shelton)
Lathrop, Perrin, “A Sublime Art: Akinola Lasekan and Colonial Modernism in Nigeria” (Princeton, C. Okeke-Agulu)
Liljegren, Dana, “L’art de la poubelle: Récupération and Politics of Trash in Senegalese Art, 1970–2010” (Graduate Center, CUNY, C. Bishop)
Lima, Álvaro Luís, “Art in Mozambique at the End of Socialism” (Columbia University, Z. Strother)
Masilela, Nomaduma, “Set Setal’s Imaginaire: Intervention in Public Space, Historiography, and Conceptualism” (Columbia University, K. Jones)
Oldjira, Meseret, “Commemoration and Community: Illuminated Gospel Manuscripts in Monastic Ethiopia, 1280-1350” (Princeton, C. Barber and B. Kitzinger)
Purdy, Janet, “Carved Swahili Doors: Gateways of Status, Trade, and Transaction in East Africa” (Penn State, W. Dewey)
Villarroel, Fernanda “Repurposing debris of Global Capitalism: Contemporary art from Lagos, Nigeria, in the Transnational Affective Economy” (University of Wisconsin-Madison, J.Casid)
Wolff, Rebecca, “Art During Wartime: The Nigerian Civil War and Nigerian Contemporary Art” (UCLA, S. Nelson)
Woudstra, Rixt, “Countering Independence: Architecture, Decolonization and the Design of Stability in British Africa (1945-1963)” (MIT, T. Hyde)