- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Eighteenth-Century Art
Dissertations Completed by Subject, 2004
Show in progress dissertations
Derstine, Andria, “The French Academy in Rome, 1666–1737: Art, Society, Politics, and Relations With the Accademia Di San Luca” (IFA/NYU, D. Posner)
Fassl, Johanna, “Sacred Eloquence: Giambattista Tiepolo and the Rhetoric of the Altarpiece” (Columbia, D. Rosand)
Leca, Benedict, “Constructions of Patrimony: The Interpretive Prints after Claude-Joseph Vernet’s Ports of France” (Brown, K. D. Kriz)
Loughrey, Stacey, “Design, Empire, and Aesthetics in Britain, 1745–1851” (USC, K. Lang)
Macdonald, Heather, “Landscapes of Ambition: Painting and Political Culture in Joseph Vernet’s Ports de France” (UC Berkeley, D. Grimaldo Grigsby)
Salzman, Mary, “Decoration as Knowledge: The Early Eighteenth-Century French Genre Scene, Rococo Ornament, and France’s Emerging Public Sphere” (Stanford, M. Marrinan)