- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
South Asia/South East Asia
Dissertations in Progress by Subject, 2015
Alary Lavallée, Julie, “Les problèmes de la représentation culturelle: les expositions collectives d’art contemporain de l’Inde en Occident (2005–2011)” (Université de Montréal, C. Bernier)
Becherini, Marta, “Staging the Foreign: Niccolò Manucci (ca. 1638–1719) and Early European Collections of Indian Paintings” (Columbia, V. Dehejia)
Desai, Ankur, “Re-crafting the Sacred: Negotiating Tradition in Contemporary Svaminarayana Temple Architecture” (Ohio State, S. Huntington)
Dickens, Sarah, “Art of the Khmer Rouge: A History of the Visual Culture of Revolution and Genocide and Its Legacies in Contemporary Cambodian Art” (Duke, K. Stiles)
Greenwalt, Karen, “Beyond the Nation: Rasheed Araeen, Bani Abidi, Hamra Abbas, and the Art of Migration” (UIC, C. Becker)
Little, Lalaine, “Portable Devotion: Philippine Christian Visual Culture, 1521–1815” (Binghamton University, N. Um)
Mays, Eowyn, “Tracing the Imperial Imaginary in American and Philippine Visual Culture from 1898 to 1918” (Maryland, College Park, R. Ater)
Menon, Arathi, “Kerala Hipped and Gabled: An Atypical Sacred Style” (Columbia, V. Dehejia)
Mumtaz, Murad, “Remembering the Friends of God: An Unclaimed Genre of Indian Devotional Portraiture” (Virginia, D.Ehnbom)
Punj, Nandita, “Up in Alms, Portraits in Giving: The Salibhadra Carita in Early Modern Jain Art” (Rutgers, S. Brett-Smith)
Richardson, Sarah Aoife, “Painted Books for Plaster Walls: Visual Words in the Fourteenth-Century Murals at the Tibetan Buddhist Temple of Shalu” (Toronto, J. Purtle)
Rozman, Stephanie, “Acquiring Modernity: Collecting and Exhibiting Indian Art in the Early Twentieth Century” (Minnesota, F. Asher)
Stein, Emma Natalya, “All Streets Lead to Temples: Mapping Monumental Histories in Kanchiparam, ca. 690–1199 CE” (Yale, T. Sears)
Tran, Thuy N. D., “A Defining Moment: The Avant-gardes of Saigon, 1954–1975” (UC Santa Barbara, L. Monahan)