- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Native American Art (post-1500)
Dissertations in Progress by Subject, 2015
Hawley, Elizabeth, “Imaging the Indian/Imagining the Indian: Modern Art and Native Tradition in Santa Fe, 1909–1931” (CUNY, K. Manthorne)
Jensen, Hadley, “Shaped by the Camera: Navajo Weavers and the Photography of Making in the American Southwest, 1880–1945” (Bard Graduate Center, A. Glass)
Marshman, Amy, “Ancient Puebloan Human Effigy Vessels: An Examination of Iconography and Tradition” (Virginia Commonwealth, J. Farmer)
McGeough, Michelle, “The Indigenous Sovereign Body: Gender, Sexualities, and Performance” (New Mexico, J. Szabo)
McLeod, Suzanne, “Not So Different: Sensory and Cross-Cultural Recognitions between Eighteenth-Century Northwest Coast Peoples and Spanish Colonial Expeditions” (New Mexico, J. Szabo)
Murphy, Elizabeth, “A Forward Looking Art: Education, Creative Exchange, and the Rise of Modern Native American Art” (USC, K. Flint)
Ronan, Kristine, “Buffalo Dancer: The Biography of an Image” (Michigan, D. Doris)
Strauss, Stephanie, “Rethinking Epi-Olmec: The Art and Epigraphy of the Late Preclassic Isthmus of Tehuantepec” (Texas, Austin, J. Guernsey)
Young, India, “Cultural imPRINT: Contemporary Northwest Coast Native Art in Print” (New Mexico, J. Szabo)