- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Genders/Sexualities/Feminisms
Dissertations in Progress by Subject, 2015
Algee, Hannah, “The Comparative Model: Recanonizing the Abject ‘Body’ in/of Contemporary Feminist Art” (Temple, G. Silk; A. Nelson)
Cho, Hyeok, “Can the Subaltern Artist Speak?: Postmodernity, Femininity, and Racial Identity in Lee Bul’s Art” (Binghamton University, J. Tagg)
Daly, Kathleen, “Shapely Bodies: Women, Architecture, and the Material World of Health, 1865–1940” (Boston, K. Morgan)
Dorofeeva, Maria, “Fantasizing National Manhood: Art, Sexual Politics, and the Rise of Queer Counterpublics in Spain, 1898–1939” (UIUC, O. Vazquez)
Grayson, Saisha, “Cellist, Catalyst, Collaborator: The Work of Charlotte Moorman, 1963–1980” (CUNY, C. Bishop)
Hollenbach, Julie, “A Cultural Analysis of Common Creativity: A Phenomenological Critical Race Assessment of Professional and Amateur Contemporary Crafting” (Queen’s, J. Helland; S. Alfoldy)
Jimerson, Lauren, “Defying Gender, Redefining the Nude: The Body in the Art of Suzanne Valadon, Émilie Charmy, and Marie Vassilieff” (Rutgers, S. Sidlauskas)
Mason, Ashley, “Jean-François Millet’s Depictions of Women” (Iowa, D. Johnson)
Robbins, Karen, “Discipline and Polish: Teaching Domesticity at the Connecticut Industrial School for Girls, 1868–1917” (Boston, K. Morgan)
Rooney, Sierra, “Monuments to Women: Visualizing Female Heroes in American Public Life since 1980 (Stony Brook University, M. Bogart)
Shapiro, Abigail, “Ree Morton and Feminist Installation Art, 1968–1977” (McGill, A. Jones)
Sneed, Gillian, “Gendered Subjectivity and Resistance: Brazilian Film and Video Performance Art of the 1970s and 1980s” (CUNY, A. Indych-López)
White, Rachel, “Graphic Form: Vogue and the Politics of the Body, 1930–1950” (UIUC, T. Weissman)
Winters, Tom, “Honthorst’s Women: Art, Gender, and the Virtuosi” (Virginia, L. Goedde)