- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Digital Media/Animation
Dissertations in Progress by Subject, 2013
Hartnett, Gerald, “Recorded Objects and Counterauras: Art, Technical Reproducibility, Cybernetics, 1952–1962” (Stony Brook University, A. Uroskie)
Jakubowski, Dan J., “Analog Constellations, Digital Assemblages: Egyptian Video Art and the Politics of Modernity” (Florida, V. Rovine, J. Tsai)
Lee, Joo Yun, “Sensuous Communities: Materialized Spectatorship in Ryoji Ikeda’s Intermedia Installation and Performance” (Stony Brook University, Z. Patterson)
Léonard Brouillet, Karine, “Absorption des collections traditionnelles par les œuvres Internet au musée: la déchirure numérique comme vecteur de globalisation” (University of Montreal, C. Bernier)
Steenson, Molly Wright, “Architectures of Information: Christopher Alexander, Cedric Price, Nicholas Negroponte, and the MIT Architecture Machine Group” (Princeton, M. C. Boyer)