- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Nineteenth-Century Art
Dissertations Completed by Subject, 2012
Show in progress dissertations
Dasch, Rowena Houghton, “‘Now Exhibiting’: Charles Bird King’s Picture Gallery, Fashioning Taste and Nation, 1824–1861” (UT Austin, S. Rather)
Gruber Florek, Olivia, “The Modern Monarch: Empress Elisabeth and the Visual Culture of Femininity, 1850–1900” (Rutgers, S. Sidlauskas)
Hylton, Jennifer, “The Seurat Effect” (UT Austin, R. Shiff)
Karras, Olga Zaferatos “Constructing Greek Genre Painting, Visualizing National Identity, 1850–1900” (CUNY, A. Pelizzari)
Knox, Page, “Scribner’s Monthly, 1870–1881: Illustrating a New American Art World” (Columbia, E. Hutchinson)
Lasc, Anca, “Before Art Nouveau: The Invention, Commercialization, and Display of the Modern Interior in Nineteenth-Century France” (USC, V. Schwartz)
Lewis, Jacob, “Charles Nègre in Pursuit of the Photographic” (Northwestern, S. H. Clayson)
Luarca-Shoaf, Nenette, “The Mississippi River in Antebellum Visual Culture” (Delaware, W. Bellion)
Medakovich, Molly A., “Between Friends: Representations of Female Sociability in French Genre Painting, 1770–1830” (UNC Chapel Hill, M. Sheriff)
Morgan, Emily, “‘True Types of the London Poor’: Adolphe Smith and John Thomson’s Street Life in London” (Arizona, S. Moore)
Percivall, Hans Gustav, “The Anonymous Image: Landscape Painting and Mass Culture in England, 1830–1880” (Yale, T. Barringer)
Phillips, Allison M. “The Invisible Labor: Nineteenth-Century Art, the Unconscious, and the Origins of Surrealism” (Iowa, D. Johnson)
Stein, Nathaniel, “Authorities of Presence: Robert Gill, the Photographic Survey of India, and the Colonial Sublime” (Brown, K.D. Kriz)
Stotland, Irina, “Paul Gauguin’s Self-Portraiture and the Concept of Androgyny” (Bryn Mawr, S. Z. Levine)
Tralongo, Stéphane, “Faiseurs de féeries: Mise en scène, machinerie et pratiques cinématographiques émergentes au tournant du XXe siècle” (Université Lyon 2, M. Barnier; Université de Montréal, A. Gaudreault)