- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Art of the Middle East/North Africa
Dissertations in Progress by Subject, 2012
Abbaspour, Mitra, “Defining the Present, Archiving the Past: Three Histories of Middle Eastern Photography” (CUNY, G. Batchen)
Al-Saleh, Yasmine, “Licit Magic: The Touch and Sight of Islamic Talismanic Scrolls” (Harvard, G. Necipoglu)
Auji, Hala, “The Printed Word and the American Syria Mission: Exploring Books and the Nascent Press in the Arab World, 1820–1870” (Binghamton University, N. Um)
Chagnon, Michael, “Pictures from a Shrine City: Illustrated Manuscript Production in Mashhad, 1620–1660” (IFA/NYU, P. Soucek)
Chubb, Emma, “Of Margins and Migrations: Representations of Moroccanness in Contemporary Art” (Northwestern, H. Feldman)
Dagoglu, Özlem-Gülin, “Féministe et cosmopolite: Mihri Rasim (1890–1954), la première peintre turque” (Université de Montréal, T. Porterfield)
Demchenko, Igor, “Heritage of the Red Orient: Theories and Practices of Architectural Conservation in Soviet Central Asia” (MIT, N. Rabbat)
Lauren, Samantha, “Swahili Architecture: Mediating Aesthetics in Medieval East Africa” (UC Santa Barbara, N. Khoury)
Lenssen, Anneka, “The Shape of the Support: Painting in Syria’s Twentieth Century” (MIT, N. Rabbat)
Neumeier, Emily, “Theaters of Fortune and Triumph: Ottoman Architecture in the Provinces, 1780–1825” (Pennsylvania, R. Holod)
Oguz, Zeynep, “Multi-Functional T-shaped Zaviyes in the Early Ottoman Context” (Harvard, G. Necipoglu)
Rogers, Amanda, “The Art of Religious Authority: Women’s Henna Adornment and North African Islam(s)” (Emory, S. Kasfir)
Rüstem, Ünver, “Architecture for a New Age: Imperial Ottoman Mosques in Eighteenth-Century Istanbul” (Harvard, G. Necipoğlu)
Seggerman, Alexandra Dika, “Revolution and Renaissance in Modern Egyptian Art, 1880–1960” (Yale, K. Rizvi, D. Joselit)
Sezer, Yavuz, “The Eighteenth-Century Ottoman Library Movement: Architecture, Reading, and the Politics of Knowledge” (MIT, N. Rabbat)
Smith, Sarah-Neel, “Art, Democracy, and the Culture of Dissent in 1950s Turkey” (UCLA, S. Mathur)
Taner, Melis, “‘Your True Vocation is Art’: Transformations in Ottoman Miniature Painting in the late Sixteenth to mid-Seventeenth centuries” (Harvard, G.Necipoglu, D. Roxburgh)
Teece, Denise, “Vessels of Verse, Ships of Song: Persian ‘Safina’ Manuscripts and Their Significance” (IFA/NYU, P. Soucek)
Van Loan, Theodore, “Seeing the Umayyads Seeing: Charting Early Islamic Attitudes toward Visual Perception” (Pennsylvania, R. Holod)
Viswanathan, Rashmi, “The Brahmin and the Fakir: Picturing ‘Type’ in Early Colonial India” (IFA/NYU, B. Flood)
Ziyal, Omer, “The Making of an Ottoman Capital: Edirne’s Urban Landscape, 1361–1488” (Harvard, G. Necipoglu)