- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Nineteenth-Century Art
Dissertations Completed by Subject, 2011
Show in progress dissertations
Basu, Priyanka, “Kunstwissenschaft and the ‘Primitive’: Excursions in the History of Art History, 1879–1914” (USC, K. Lang)
Baumgartner, Frederique, “Transformation of the Cultural Experience: The Art of Hubert Robert during the French Revolution” (Harvard, E. Lajer-Burcharth)
Block, Elizabeth L., “Respecting Hair: The Culture and Representation of Women’s Hairstyles, 1865–90” (CUNY, K. Murphy)
Chandra, Aditi, “On the Becoming and Unbecoming of Monuments: Archaeology, Tourism, and Delhi’s Islamic Architecture (1828–1963)” (Minnesota, C. Asher)
Clericuzio, Peter, “Nancy as a Center of Art Nouveau Architecture, 1895–1914” (Pennsylvania, D. Brownlee)
Dalal, Radha, “At the Crossroads of Modernity, Space, and Identity: Istanbul and the Orient Express Train” (Minnesota, C. Asher)
Ferando, Christina, “Staging Canova: Sculpture, Connoisseurship, and Display, 1780–1822” (Columbia, J. Crary, A. Higonnet)
Foutch, Ellery, “Arresting Beauty: The Perfectionist Impulse of Peale’s Butterflies, Heade’s Hummingbirds, Blaschka’s Flowers, and Sandow’s Body” (Pennsylvania, M. Leja)
Hanson, Katie, “A Neoclassical Conundrum: Painting Greek Mythology in France, 1780–1825” (CUNY, P. Mainardi)
Holochwost, Catherine Reed, “Landscape as Machine: Vision and Imagination in Nineteenth-Century American Painting” (Delaware, W. Bellion)
Kendall, Steven, “Classicism and Modernity: Frederic Leighton and the English Nude” (UC Santa Barbara, A. Bermingham)
Ralickas, Eduardo, “Naissance de l’art performatif: Étude sur les prémisses du moment romantique en Allemagne” (Université de Montréal, J. Lamoureux; École des Hautes Études en Sciences Sociales, É. Michaud)
Sivard, Susan M., “Upheaval and Transformation: The Volcano in American and European Art, 1765–1865” (Columbia, B. Novak, E. Hutchinson)
Stringer, Rozanne, “Hybrid Zones: Representations of Race in Late Nineteenth-Century French Visual Culture” (Kansas, M. Kessler)