- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
South/Southeast Asian Art
Dissertations in Progress by Subject, 2003
Debreczeny, Karl, “Ethnicity and Esoteric Power: Negotiating the Sino-Tibetan Synthesis in Ming Buddhist Painting” (Chicago, H. Wu)
Dinkar, Niharika, “Staging Realism; Performing the Modern in Raja Ravi Varma’s Pauranik Paintings” (SUNY Stony Brook, N. Mirzoeff)
Foley, Jennifer, “Sighting the Temple, Mapping the Sites, Citing the Classics: Art History as the Mission Civilisatrice in Cambodia, 1863–2003” (Cornell, K. McGowan)
Joffee, Jennifer, “Art, Architecture, and Politics in Seventeenth-Century Mewar” (Minne¬sota, C. Asher)
Kim, Hawon Ku, “Formation of Identity: Nineteenth-Century Temples and Painted Maps of the Jain Pilgrimage Site Satrunjaya, Gujarat” (Minnesota, F. Asher)
Olson, Marsha Gail, “Jesus, Mary, and All of the Saints: Indo-Portuguese Ivory Statuettes and Their Role as Mission Art in Seventeenth–Eighteenth Century Goa” (Minnesota, C. Asher)
Phillips, Kristy, “Exhibiting the Nation: Politics and Identity in the National Museum of India” (Minnesota, F. Asher)
Rath, Amanda, “Mutable Signs: De/Con/Struction in Indonesian Experimental Art” (Cornell, K. McGowan)
Richardson, Margaret, “Re-Constructing Tradition and Modernity: The Theories and Art Projects of K. G. Subramanyan” (Virginia Commonwealth, H. Risatti)
Sardar, Marika, “Cities, Rulers, and Architecture in the Medieval Deccan” (IFA/NYU, P. Soucek)