- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Art of the Middle East/North Africa
Dissertations Completed by Subject, 2011
Show in progress dissertations
Adamjee, Qamar, “Strategies for Visual Narration in the Illustrated Chandayan Manuscripts” (IFA/NYU, P. Soucek)
Craig, Michelle Huntingford, “[In]Secure Space: The Mellah of Fez, Morocco, 1834–1956” (UCLA, S. Nelson)
Dalal, Radha, “At the Crossroads of Modernity, Space, and Identity: Istanbul and the Orient Express Train” (Minnesota, C. Asher)
Holmes, Denwood, “The Walls of the Well-Protected Domains: The Development of Ottoman Fortification, 1400–1600” (Princeton, T. Leisten)
Latif, Riyaz, “Ornate Visions of Knowledge and Power: Formation of Marinid Madrasas in Maghrib al-Aqsā” (Minnesota, C. Asher)
Michelsen, Leslee Katrina, “‘To Lift the Veil from the Face of Depiction’: Visual Culture and Figural Iconography in Early Islamic Central Asia” (Pennsylvania, R. Holod)
Overton, Keelan, “A Collector and His Portrait: Book Arts and Painting for Ibrahim ‘Adil Shah II of Bijapur” (UCLA, I. Bierman-McKinney)
Rice, Yael, “The Emperor’s Eye and the Painter’s Brush: The Rise of the Mughal Court Artist, ca. 1546–1627” (Pennsylvania, R. Holod)
Yalman, Suzan, “Building the Sultanate of Rum: Memory, Urbanism, and Mysticism in the Architectural Patronage of ‘Ala al-Din Kayqubad (r. 1220–1237)” (Harvard, G. Necipoglu)