- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Film/Video
Dissertations in Progress by Subject, 2009
Ackerman, Ada, “Regards d’Eisenstein sur l’œuvre d’Honoré Daumier: une réception méconnue” (Université de Montréal, T. Porterfield; Université de Paris X-Nanterre, S. Le Men)
Beaulieu, Renée, “Le déclin de l’empire masculin: Les relations de genre dans le cinéma de Denys Arcand” (Université de Montréal, O. Asselin)
Berrill, Margot, “The Trajectory of Domestic Humor: 1970s Feminist Video Art and Pop Culture” (UIC, H. Higgins)
Culler, Jeremy, “From Television Signal to Magnetic Strip: An Archaeology of Experimental Television and Video Knowledge, 1962–2006” (SUNY Binghamton, J. Tagg)
Hollenberg, Sarah, “Art on Television, 1967–1974” (USC, R. Meyer)
Joly-Corcoran, Marc, “La cinéphanie et sa réappropriation: L’«affect original» et le spectateur dans les fanfilms de Star Wars” (Université de Montréal, B. Perron)
Kirtland, Katie, “Iterations of the Close-Up: Animation and Revelation in Jean Epstein's Theory of Cinema” (Chicago, T. Gunning)
Larouche, Peggy, “Le cinéma de Guy Maddin: Les croisements de l’histoire, de l’esthétique et de la mythologie” (Université de Montréal, O. Asselin, A. Gaudreault)
Lessard, Jonathan, “Histoire et analyse formelle du jeu d’aventure (1976–2006)” (Université de Montréal, B. Perron)
Levavy, Sara Beth, “Immediate Mediation: A Narrative of the Newsreel and the Film” (Stanford, S. Bukatman)
McManus, William, “‘When We Made Movies Just to Make Them’: Warhol's Films and the Surface of the 1960s” (Princeton, H. Foster)
Muller, Gabriela, “Abstraction on the Move: Medium, Motion, and Time in the Absolute Film” (Stanford, S. Bukatman)
Oh, Gyung Eun, “Music and Time: Relation of Nam June Paik’s Early Works to Video Art” (Rutgers, A. Zervigón)
Proctor, Jacob, “Cold War Cut-Ups: Collage, Found Footage, and Expanded Cinema as Alternative Public Sphere” (Harvard, Y-A. Bois, B. Buchloh)
Shaffer, Michael, “Dan Graham’s Video Installations of the 1970s” (Virginia Commonwealth, E. Garberson)
Sirove, Taryn, “Freedom, Sex, Power: Film and Video Regulation in Ontario” (Queens, Kingston, C. Robertson)
Stob, Jennifer, “‘With and Against Cinema’: The Situationist International and the Cinematic Image” (Yale, D. Andrew, D. Joselit)
Suchenski, Richard, “Utopian Romanticism and the Poetics of Scale: Modernist Explorations of the Cinematic Long Form” (Yale, D. Andrew)
Tsen, Hsuan, “Spectacles of Authenticity: The Emergence of Mass Entertainment in Japan and America, 1890–1910” (Stanford, S. Bukatman)
Werther-Rosenow, Barbara, “Communicative Strategies in Contemporary Video Art” (Rutgers, T. Flores)
Williams, Alena, “Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1915–1930” (Columbia, J. Crary)
Willis, Louis-Paul, “De Jocaste à Lolita: Œdipe et l’hypersexualisation des jeunes filles au cinéma” (Université de Montréal, O. Asselin)
Yoon, Soyoung, “Debord, Détournement, and the Desire of History: The Films of Guy Debord” (Stanford, P. Levi)