- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Latin American/Caribbean Art
Dissertations in Progress by Subject, 2002
Aldana, Erin, “Urban Interventions to Xerox Art: 3Nos3 and the City of São Paulo, 1978–1982” (UT Austin, A. Reynolds)
De Souza, Carlos, “And Love Will Live Forever: The Narrative Structure of the Fotonovela” (UC Santa Barbara, U. Keller)
Flores, Tatiana, “Estridentismo and !30-30!, The First Mexican Avant-Gardes” (Columbia, K. Moxey)
James, Erica, “What Good Are Roots If You Can't Take Them with You? Caribbean Art in the Global Imaginary” (Duke, R. Powell)
Juncker, Kris, “Honey at the Crossroads: Women and the Arts of African-Cuban Santería, 1930–1980” (Columbia, N. Kampen, Z. Strother)
Leimer, Ann Marie, “The Performance of the Sacred: The Concept of Journey in Codex Delilah” (UT Austin, A. Malagamba)
Lepage, Andrea, “Arts of the Franciscan Colegio de San Andrés in Colonial Quito: A Process of Cultural (Re)formation” (Brown, C. W. Zerner)
Malagon, Maria, “The Presence of ‘the Uncanny’ in the Works of Beatriz Gonzalez, Oscar Muñoz, and Doris Salcedo” (UT Austin, J. Barnitz)
Stanfield-Mazzi, Maya, “Statue and Substitute: The Replication of Miraculous Statues in Colonial Peru” (UCLA, C. Klein)
Williams, Lyneise, “Sacudiendo de los Espiritus Adormecidos/Rousing the Sleeping Spirits: The Art of Pedro Figari (1861–1938)” (Yale, R. Thompson)