- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Film/Video
Dissertations in Progress by Subject, 2002
Blackburn, Marcia, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, T. McDonough)
Czach, Elizabeth, “Substandard: An Aesthetic History of Home Movies” (Rochester, S. Willis)
Humphrey, Dan, “Projected Affects/Constructed Subjects: Considering the Male American Spectator of ‘Foreign’ Feature Films” (Rochester, L. Cartwright)
Kaizen, William, “The Immediate: Video Art, circa 1970” (Columbia, B. Buchloh)
McManus, William, “'When We Made Films Just to Make Them': Warhol Unlimited” (Princeton, H. Foster)
Mondloch, Katie, “Thinking through the Screen: Screen-Reliant Media Installation Art from the Mid-1960s to the Present” (UCLA, M. Kwon)
Muller, Gabriela, “The German Absolute Film and the Discourse of Medium-Specificity” (Stanford, S. Bukatman)
Noonan, Jennifer H., “Romancing the Stone: Desire in Conceptual Prints of the 1960s and 1970s” (Penn State, S. Rich)
Prunes, Mariano, “Contemporary Italian Cinema: A Cinema of Persistence” (Yale, N. Steimatsky)
Pytlinski, Deanne, “Utopian Visions: Women in Early Video Art” (CUNY, A. Chave)
Williams, Michael, “Playing Perverse: Being-in-the-Filmic-World” (Rochester, T. DiPiero)