- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Latin American/Caribbean Art
Dissertations Completed by Subject, 2008
Show in progress dissertations
Aldana, Erin Denise, “Urban Interventions: 3Nós3 and the City of Sao Paulo, 1979–1982” (UT Austin, J. Barnitz, A. Reynolds)
Branley, Brendan, "Visual Rhetoric in Transcultural Communication in Sixteenth-Century New Spain: The Engravings of Fray Diego Valadés" (University of New Mexico, R. Hernandez-Dúran)
Brice, Leslie, "Nou La, We Here: Remembrance and Power in the Arts of Haitian Vodoo" (Maryland, College Park, S. Promey)
Fidelis, Gaudêncio, “The Reception and Legibility of Brazilian Contemporary Art in the United States (1995–2005)” (SUNY Binghamton, A. D’Souza)
James, Erica, “Re-Worlding a World: Caribbean Art in the Global Imaginary” (Duke, R. Powell)
Lepage, Andrea, “The Arts of the Franciscan Colegio de San Andrés in Quito: A Process of Cultural (Re)formation” (Brown, C. W. Zerner)
Niell, Paul, "'Bajo su sombra': The Narration and Reception of Colonial Urban Space In Early Nineteenth-Century Havana, Cuba" (University of New Mexico, R. Hernandez-Dúran)
O'Rourke, Kathryn, "'The Hour of Mexico': State Sponsored Modern Architecture
in Mexico City, 1926–1934" (Pennsylvania, D. Brownlee)
Shtromberg, Elena, “Conceptual Encounters: Art and Information in Brazil (1968–1978)” (UCLA, C. Villaseñor Black)
Tarver, Gina Maria McDaniel, "Isolated Iconoclasts and Ambitious Institutions: Early Colombian Conceptualism and Its Antecedents, 1962–1975" (UT Austin, J. Barnitz)