- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
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- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
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- Indigenous Peoples
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- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Film/Video
Dissertations in Progress by Subject, 2008
Ackerman, Ada, "Regards d'Eisenstein sur Daumier: histoire d'une réception méconnue" (Université de Montréal, T. Porterfield, and Université de Paris X-Nanterre, S. Le Men)
Adler, Fabienne, “First, Abandon the World of Seeming Certainty: Theory and Practice of the ‘Camera-Based Image’ in 1960s Japan” (Stanford, S. Bukatman)
Culler, Jeremy, “From Television Signal to Magnetic Strip: An Archaeology of Experimental Television and Video Knowledge, 1962–2006” (SUNY Binghamton, J. Tagg)
Fouladi, Shahriar, “Super Savior/Destroyer: The Specter of the Monstrous Other in Superman” (UC Irvine, C. Whiting)
Hollenberg, Sarah, “Art on Television, 1967–1974” (USC, R. Meyer)
Kirshtner, Kelly V., “Loose Contact: Microphonic Intensities and Figurative Transformation in Film Sound and Image” (UC Irvine, P. Krapp)
Kirtland, Mary Catherine, “Iterations of the Close-Up: Animation and Revelation in Jean Epstein's Theory of Cinema” (Chicago, T. Gunning)
Laskin, Lee, "Nocturnal Omissions: The Conception of Night Vision Technologies" (UC Irvine, C. Whiting)
McManus, William, “‘When we made movies just to make them': Warhol's Films and the Surface of the 1960s” (Princeton, H. Foster)
Oh, Angela, "Nam June Paik: In Search of New Media" (Rutgers, A. Zervigón)
Proctor, Jacob, "Cold War Cut-Ups: Collage, Found Footage, and Expanded Cinema as Alternative Public Sphere" (Harvard, Y-A. Bois, B. Buchloh)
Seiber, Tim, “Thresholds: Managing Life and Death through the Public Circulation of Scientific Images” (UC Irvine, J. Bryan-Wilson)
Shaffer, Michael, “Dan Graham’s Video Installations of the 1970s” (Virginia Commonwealth, E. Garberson)
Stob, Jennifer, “‘With and Against Cinema’: The Internationale Situationniste and the Cinematic Image” (Yale, D. Joselit, D. Andrew)
Suchenski, Richard, “Utopian Romanticism and the Poetics of Scale: Modernist Explorations of the Cinematic Long Form” (Yale, D. Andrew)
Williams, Alena, “Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1915–30” (Columbia, J. Crary)
Werther-Rosenow, Barbara, "Communicative Strategies in Contemporary Video Art" (Rutgers, A. Zervigón)
Yoon, Soyoung, “Filming Das Kapital: Reconceptualization of Collage/Montage in Post-War Avant-Garde Cinema of the 1950s and ’60s” (Stanford, P. Levi)