- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
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- Eighteenth Century
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- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
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- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
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- Genders/Sexualities/Feminisms
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- Indigenous Peoples
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- Islamic Art
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- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
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- Queer/Gay Art
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- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Drawings/Prints/Works on Paper
Dissertations Completed by Subject, 2008
Show in progress dissertations
Albers, Katherine Palmer, "Archive/Atlas/Album: The Photographic Reconstructions of Christian Boltanski, Gerhard Richter, and Dinh Q. Lê" (Boston, C. Jones, K. Sichel)
Burgess, Rebekah, "Collecting Agency: Reversing the Camera's Gaze in Early Twentieth-Century Lowell, Massachusetts" (Boston, K. Sichel)
Dolan, Julia, "'I Will Take You into the Heart of Modern Industry': Lewis Hine's Photographic Interpretation of the Machine Age” (Boston, K. Sichel)
Hamill, Sarah, "David Smith in Two Dimensions: Sculpture, Photography, and Space" (UC Berkeley, A. Wagner).
Jones, Jordy, “The Ambiguous I: Photography, Gender, Self” (UC Irvine, C. Whiting)
Knappe, Brett, “Barbara Morgan's Photographic Interpretation of American Culture, 1935–1980” (Kansas, J. Pultz)
Michal, Eileen, “Picture-Loving: Photomechanical Reproduction and Celebrity in America’s Gilded Age” (Chicago, J. Snyder)
Mizoguchi, Akiko, “Reading and Living Yaoi: Male-Male Fantasy Narratives as Women's Sexual Subculture in Japan” (Rochester, D. Crimp)
Moore, Allison, “Shifting Identities: Contemporary Photography in Mali” (CUNY, G. Batchen)
Senf, Rebecca, "Ansel Adams's 'Practical Modernism': The Development of a Commercial Photographer, 1916–1936" (Boston, K. Sichel)
Smentek, Kristel, "Art, Commerce, and Scholarship in the Age of Enlightenment: Pierre-Jean Mariette and the Making of Art History" (Delaware, N. Athanassoglou-Kallmyer)
Smith, Laura, "Obscuring the Distinctions, Revealing the Divergent Visions: Modernity and Indians in the Early Works of Kiowa Photographer Horace Poolaw, 1925–1945" (Indiana, Bloomington, S. Burns)
Weiss, Marta, “Dressed Up and Pasted Down: Staged Photography in the Victorian Album” (Princeton, P. Bunnell)
Young, Lisa, “All Consuming: The Tiller-Effect and the Aesthetics of Americanization in Weimar Photography, 1923–1933” (CUNY, G. Batchen)